As a child, like most children, I was not much interested in designating the differences between ‘real’ and ‘not real’, (not to mention that much of what was considered ‘real’ by the adults around me seemed positively distasteful). I longed to know, to validate and discover, to make real and to follow the beauty, mystery, and luminosity that emerged unexpectedly in glimpses, at moments when the motivation to avoid punishment receded or the teacher looked away. This longing did not loosen its grip on me.Read More
The Tarot cards, particularly the 22 Trumps represent a number of familiar and potent archetypes: symbols of human experience that arise again and again across cultures: the old sage, the fool , the emperor-king, the mysterious priestess. The minor cards, otherwise known as ‘pips’ might be said to offer a symbolic view of ordinary human experiences over the course of a lifetime. By way of imagery and symbolism, the cards are a tool capable of drawing together the unconscious/mythologically-oriented mind and the reasoning mind.Read More
Not knowing, waiting and finding — though they may happen accidentally, aren’t accidents. They involve work and research. Not knowing isn’t ignorance. (Fear springs from ignorance.) Not knowing is a permissive and rigorous willingness to trust, leaving knowing in suspension, trusting in possibility without result, regarding as possible all manner of response. The responsibility of the artist […] is the practice of recognizing.
Divinatory Poetics describes a particular approach to composition: the cultivation of attention, entering in to a sort of lucid trance, experimentation with modes of thinking and angles of perspective.Read More