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UnSung Studio

Regan Drouin Halas
  • Home
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    • Paintings
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    • 1-on-1
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THOUGHTS. WRITINGS. DETRITUS.

The Why of Poetry

May 9, 2025

I sat looking at the faces that had been meeting mine for the past four Saturdays....

In a Divinatory Poetics session, we read together—the poetry of masters, the masterworks of artists who have perfected their craft. We read them slowly—silently, and then aloud. Each individual voice, with its unique cadence and tone, feels its way through the metaphors and imagery, the fields of emotional color.

Then we write; without censorship or second thought, (as much as possible). And finally, we converse, wedding our voices with the language that inspired them. It’s an imaginal journey—and the landscapes we invoke together are so rich they often give me chills.

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In Poetics/Philosophy, Creative Process, Divination, Empowerment Tags creative practice, slow culture, embodiment, inner life, divination, divinatory poetics, creative resistance, media detox, poetics, quiet activism
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Ask

February 21, 2025

ask questions.

a question is open and receptive,
yet articulating – it invokes.
this is the art of divination.

amidst all possibilities, it reveals a subject of concern,
curiosity, attention, attraction.
it reveals a prayer – the desire for a meeting or
an answering that reveals itself only
in the act.

it is revealed IN the working.

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In Creative Process, Divination, Poetics/Philosophy Tags mixedmedia, poetics, inquiry, ask, creative process, artistic research, artist's life, inner work, dreaming
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bricolage, mixed media, collage. painting fragment photograph

Glimmerings

January 27, 2023

There is a sense that things simply arrive or else have been there, waiting for me. There is a rhythm, each thing to its place. These elements of ephemera represent pauses; a place where I bent down for a closer look, an irrelevance that became relevant beneath the caress of my primate thumb. A place where the world stopped me, where stillness reclaimed me.

I want to be willing to allow it to remain a mystery, the reason for this absurd marionette, this playing-at-god: fragment- suspended between idea and material. How does this peace utter the particularity of a wound, the mission of this insignificant-essential Atom?

In Creative Process, Poetics/Philosophy Tags bricolage, mixed media, collage, poetics, contemporary art, abstract painting, creative process, creative practice
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Soul Retrieval (work-in-progress)

"Use your Imagination."

May 20, 2022

"Use your imagination". I never understood what was being asked, when I heard this in my young years – what it meant I was supposed to do. I suspected that I didn't actually have one - else I would certainly know what it was and what to do with it. So I fumbled and bumbled about, stalling and evading, ever-fearful more questions be asked of me, revealing the extent of my handicap.

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In Creative Process, Empowerment, Poetics/Philosophy Tags imagination, communion, creativity, collaboration, spirituality and art, spirituality
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Manifesto

February 1, 2021

The witch. What i am, what i do…is real. is enough. right now. with dirt under my ragged nails and my eyes bagged and of two different size. IS as the gesture, the effort, the being. That is why 'Witch' appeals to me. Somewhere, always, i know it is already true. I am already worthy. Here is not yet another endless self-improvement quest toward becoming some coveted projection. 'Witch' stands on what i already, inherently am, what I do naturally. I don’t have to spend the rest of my life reaching for what is ever out-of-reach; I am, in fact, beseeched, commanded, I am obligated not to.

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In Empowerment, Poetics/Philosophy Tags empowerment, spirituality, witch, manifesto
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Apophasis & the Well

August 5, 2020

I found a pathway. Or made one.
Yes, made a pathway into being:
Picking and bending my way up the dried river bed–through thorns of doubt

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In Poetics/Philosophy, Creative Process, DreamWork/InnerWork Tags apophasis, poetics, guardian angel, sacred well
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Excavations

August 23, 2019

That is the nature of the split in me. by nature i am dream-oriented. irrational, wordless, quiet, unformed. but i am also compelled to examine and explicate; it is also my nature to want to know why: to find meaning as the cliche goes. of late, i regard this latter aspect as a most certain liability – the compulsion of one who can’t stand emptiness: the inexplicable void-splendor-terror of being.

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In Creative Process, Poetics/Philosophy Tags mixed media, creative process, abstract art, collage, ritual art, inner conflict, polarity, poetics, excavate, encaustic, encaustic painting
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Unexpected Visitations

May 5, 2019

Practice is a frame into which I pour my mind. It is a method of alignment, a point of orientation. My practice sessions have a score: I mark the edges, define the area of inquiry, lay out aspirations. Yet an equal measure of unguarded territory is necessary. A door must be left ajar for unexpected visitations. In every session, I reserve time for improvisation. Improvisation is where seeds of the best work are dropped. When expectation is abandoned and agendas are replaced with listening, waiting and attention, this is when beauty that I could not have planned emerges. (From Voicings from Underground; The Slow World p 60)

In Poetics/Philosophy, Creative Process Tags sepia, shell, barnacles, creative process, improvisation, art, letting go, allowing, unexpected visitors
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Anchoring the Art Mind

April 3, 2019

Sit. Sumi Circle. Sit. I remember the instruction from a Contemplative Art class I took fifteen years ago. Sitting motionless, eyes soft, feet on floor, and the blank, white paper, ink, brush. Pause. Lift arm-brush. Dip. Inscribe circle, unfurl line onto white space. I am revealed in the mark: a collapsed edge, unmet ends, a blob, a waver, a dwindling scratch. Everything is in the weight of hand meeting substrate through brush. This is marriage. Commit.

What is at stake, in this circle, in this line? My great success? My immanent failure? The voices yammer on, yet, almost imperceptibly, they also begin to recede. There is so much in that ragged little mark, the quavery and dented circle.

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In Poetics/Philosophy, Creative Process Tags contemplative art, ink and paper, agenda, dharma art, sumi circle, basic practice, art mind, contemporaryart, contemporary art
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Access to Imagination

February 21, 2019

This morning, I opened Orion Foxwood's book, The Faery Teachings* and found yet again that it is so often my conceptual orientation to language that erects barriers in my mind. The terms “Upper” “Middle” and “Lower” are frequently used to describe shamanic cosmologies. Yet Upper, Middle and Lower are–in my mind’s eye and sense–linear and remote, informed irrevocably by

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In Poetics/Philosophy, DreamWork/InnerWork Tags OrionFoxwood, FaeryTeachings, perception, shamanicpractice, shamanism, shamanismandart, languageandperception, obstaclestopractice, obstacles
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Real or Imaginary?

January 25, 2019

As a child, like most children, I was not much interested in designating the differences between ‘real’ and ‘not real’, (not to mention that much of what was considered ‘real’ by the adults around me seemed positively distasteful). I longed to know, to validate and discover, to make real and to follow the beauty, mystery, and luminosity that emerged unexpectedly in glimpses, at moments when the motivation to avoid punishment receded or the teacher looked away. This longing did not loosen its grip on me.

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In Poetics/Philosophy, Creative Process, Divination, DreamWork/InnerWork Tags divinatory poetics, imagination, reality, perception, childhood, longing
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Gas Giants and Gravity

January 22, 2019

1000 Jupiters could fit inside of the Sun.  

Last night I discovered the Edge of the Universe series on Netflix. I usually enjoy having my mind blown and oftentimes a good science documentary will do just that. Watching this one, I realized with awe and glee how absolutely inaccurate my roughly collaged concept of planet and star relations was. 

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In Poetics/Philosophy, Creative Process Tags Jupiter, Astrology, Astronomy, DiscoveringPlanets, divination, gravity, orbit, Jupitersorbit
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EnFolding Research

December 6, 2018

About a mile and a half down the path from my attic rooms, (home since March)  is Grey Matter Books, a maze of a used bookstore.  I am feeling for threads, listening for the emergence of the voices that will guide fresh work, as winter descends upon the aftermath of my frenzied graduate studies. 

The art section that I thought I was headed for is two rooms deep past multiple corridors of books, but I barely get past the register today.

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In Poetics/Philosophy, Creative Process Tags altered books, creative process, used bookstore, artistic research, writing arts, poetics, symbols, divinatory poetics
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The Thinning Veil

October 30, 2018

Why is it said that in Autumn the veils grow thin? Its a folk truism: this is the best time to contact the disembodied. And here, in New England, I am watching the trembling leaves, I am eating sugar and fat, I am looking for my thick socks. I am preparing for a long journey. Or a long sleep.

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In Poetics/Philosophy, DreamWork/InnerWork Tags veilbetweenworlds, samhain, ancestors, meditation, darknesspractice, perception
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Black Maps

October 9, 2018

By Mark Strand

Not the attendance of stones

nor the applauding wind,

shall let you know

you have arrived,

nor the sea that celebrates

only departures,

nor the mountains,

nor the dying cities.

Nothing will tell you

where you are.

Each moment is a place

you've never been.

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In Poetics/Philosophy, DreamWork/InnerWork Tags spiderweb, spiderwebdew, dewyspiderweb, poetics, blackmaps
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the Path Between Stones: Immersive Installation at Goddard College

October 2, 2018

Last week, on the Autumnal Equinox, I led this immersive installation as part of my final graduate presentation at Goddard College in Port Townsend, Washington. 

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In Creative Process, Poetics/Philosophy, DreamWork/InnerWork Tags Immersive Installation, Goddard College, MFA-IA, Salish Sea, stones, ritual art, lyricist, interdisciplinary art
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The Middle Path

September 18, 2018

i walk the path between. to my left four lanes of traffic. traffic. traffic. sometimes it rushes. sometimes it is a black clot of oil. always it is impatient in its pursuit of destination. art is like a levee: on one side, this irritated flow of metal and mental, and the other:

the other side is ravens over cornstalks yellowing and an indigo sky full of storm.

at my feet is an exodus. an envoy from the mythic mind? there is satisfied beauty in the burnt umber wings with black bars, the domed head like the globe of a frog’s eye. they appear confused, made frantic perhaps by the mid-September heat or the crushed bodies of their allies nearby. many die on this humble bicycle road.

the envoy make their journey, adorned in colors that speak jungles and remind me that size is relative. they pull like a gauze veil, the empty, ominous, windy quietude of the wild lands behind them. they whispers, softly penetrating my racing mind.

In Creative Process, Poetics/Philosophy Tags september, mixed media, contemplative art, poetics, beetles, pagan art, found objects, collage
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Her Cities

September 6, 2018

internal history
is written on
her cities
her roads
her sewers
her tunnels
it is to be read
on graven bones
and a thousand
etcetera of
personal adornment
sepulchers
unveiling
the inner arcana

 

In Creative Process, Poetics/Philosophy Tags mixed media, body, geography, cartography, poetry, found objects, collage
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Substack

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Workshops

Divinatory Poetics: workshops exploring the creative process, (spiritual) practice and the symbolic world.

Preparatory mayhem. Storming the Stockbridge arts fair this weekend. Stockbridge Massachusetts at Bidwell Park. August 20 10-5pm and 21st 10-4pm. 
#artfairs #massart #massachusettsartist #summerart
Order. chaos. The sound of these words… I get a sense of flux, of going wild and splashing color and then honing in with pencil getting in close with lines, scoring lines in crevices and box shapes. I wonder, is chaos a feeling? Not being able
“A Score”
12”x12”
mixed media/reclaimed wood
$550
DM/email

“In the most general sense, it is the very order and harmony of its appearance that distinguishes the art object as an oasis in a disturbingly chaotic world. An
Second floor old Victorian,  shades drawn, three vintage cage fans churning up the sodden air, scraps of tissue paper torn pages feathers swirling like a dust devil on the street corner. Im dripping paint dripping sweat swigging home brew kombucha wa
I’m just really not sure about the so-called edges of objects. I don’t want to re-present what I think I see. I am here to transmit. To let God through my animal body and my human mind and articulate/channel that life/love. 

#orderandcha
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