Sit. Sumi Circle. Sit. I remember the instruction from a Contemplative Art class I took fifteen years ago. Sitting motionless, eyes soft, feet on floor, and the blank, white paper, ink, brush. Pause. Lift arm-brush. Dip. Inscribe circle, unfurl line onto white space. I am revealed in the mark: a collapsed edge, unmet ends, a blob, a waver, a dwindling scratch. Everything is in the weight of hand meeting substrate through brush. This is marriage. Commit.
What is at stake, in this circle, in this line? My great success? My immanent failure? The voices yammer on, yet, almost imperceptibly, they also begin to recede. There is so much in that ragged little mark, the quavery and dented circle.
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